Six bossa nova comping patterns for solo piano — built so the piano covers the bass line in the left hand and the chords in the right, with different rhythmic combinations between the two hands. No bass player, no guitarist, no problem.
Comes with a percussion track in bossa nova time so you can lock every pattern into a real rhythmic pocket.
Who this is for: jazz pianists, church pianists, and anyone who plays solo piano or accompanies a voice or a single melodic instrument.
What you'll practice:
Independence between the hands through hand alternation — useful well beyond bossa nova
Comping patterns you can use as a soloist or an accompanist
Rhythmic control that transfers to other styles
This one sits more in the general piano world than the Cuban catalog — but the Latin crossover is exactly what sharpens independence and rhythmic understanding.